Campbell's Chick Noodle Soup. Mythology too.

Today, I really thought that the movie we watched on Joseph Campbell was extremely interesting. Apparently, he devised the entire field of comparative mythology and there is an extensive library on this subject from Campbell alone. In fact, there are many reoccurring themes in universal works that most of us would recognize from the stories we’ve grown up around. Take for example, the “flood” story. We all know about Noah, and if you need a reminder let me take some time to recite you the true story:
“The Lord said to Noah
Go build me an arky, arky
The Lord told Noah
Go build me an arky, arky
Make it out of hickery barky, barky
Children of the Lord…
It rained and it poured
For forty daysie, daysies
It rained and it poured
For forty daysie, daysies
Nearly drove those creatures crazy, crazy,
Children of the Lord.”
Credits go to whomever wrote Rise and Shine. Anyways, Gilgamesh also has a great flood in the epic work, as does Hindu mythology, Aztec mythology, and the Greek myth of Deucalion. That’s all great, but the most interesting thing to me is the reoccurring role of the hero. Essentially, there are seventeen common themes to all mythological hero stories and in that regard nearly all of our current hero stories as well. There are eight steps, which are:
1. The Call to Adventure
2. The Road of Trials
3. The Vision Quest
4. The Meeting with the Goddess
5. The Boon
6. The Magic Flight
7. The Return Threshold
8. The Master of Two Worlds
No, this really does work out. Whether it be Odysseus or The Lion King (an extremely deep film in my opinion!) there is essentially a formula that can be formatted to all of the hero archetypes. However, I don’t really think that you have to fit every one of the steps to be able to be categorized as a universal hero archetype. Take for example nearly any episode of the classic series “The Twilight Zone”, written by Rod Sterling. One of the episodes, entitled “Death Ship”, follows the lives of three American Astronauts as they find themselves in a parallel universe. The captain of the mission is the first to discover an exact, identical spaceship of their own – with their dead doppelgangers in the ship. From this alternate universe, they must find a way back to Earth, while also solving the mystery behind their alternate selves. In this example the call to adventure and even the road of trials would occur before the beginning of the story, but they are still implied by the nature of their careers. They are adventurers, heroes in the strictest sense of the word – and their quest eventually leads to their demise, in stead of revival. The magic flight they take is a literal magic flight, repairing their spacecraft from things found from the environment of the planet. And the Return Threshold would represent their supposed return to this parallel universe, however the twist ending occurs when they discover they have entered the reality in which they are dead. Rod Serling truly was a master of science fiction, but I still find it extremely interesting that even a hit U.S. T.V. series can be similar to that of my pal Odysseus.