Campbell's Chick Noodle Soup. Mythology too.

Today, I really thought that the movie we watched on Joseph Campbell was extremely interesting. Apparently, he devised the entire field of comparative mythology and there is an extensive library on this subject from Campbell alone. In fact, there are many reoccurring themes in universal works that most of us would recognize from the stories we’ve grown up around. Take for example, the “flood” story. We all know about Noah, and if you need a reminder let me take some time to recite you the true story:
“The Lord said to Noah
Go build me an arky, arky
The Lord told Noah
Go build me an arky, arky
Make it out of hickery barky, barky
Children of the Lord…
It rained and it poured
For forty daysie, daysies
It rained and it poured
For forty daysie, daysies
Nearly drove those creatures crazy, crazy,
Children of the Lord.”
Credits go to whomever wrote Rise and Shine. Anyways, Gilgamesh also has a great flood in the epic work, as does Hindu mythology, Aztec mythology, and the Greek myth of Deucalion. That’s all great, but the most interesting thing to me is the reoccurring role of the hero. Essentially, there are seventeen common themes to all mythological hero stories and in that regard nearly all of our current hero stories as well. There are eight steps, which are:
1. The Call to Adventure
2. The Road of Trials
3. The Vision Quest
4. The Meeting with the Goddess
5. The Boon
6. The Magic Flight
7. The Return Threshold
8. The Master of Two Worlds
No, this really does work out. Whether it be Odysseus or The Lion King (an extremely deep film in my opinion!) there is essentially a formula that can be formatted to all of the hero archetypes. However, I don’t really think that you have to fit every one of the steps to be able to be categorized as a universal hero archetype. Take for example nearly any episode of the classic series “The Twilight Zone”, written by Rod Sterling. One of the episodes, entitled “Death Ship”, follows the lives of three American Astronauts as they find themselves in a parallel universe. The captain of the mission is the first to discover an exact, identical spaceship of their own – with their dead doppelgangers in the ship. From this alternate universe, they must find a way back to Earth, while also solving the mystery behind their alternate selves. In this example the call to adventure and even the road of trials would occur before the beginning of the story, but they are still implied by the nature of their careers. They are adventurers, heroes in the strictest sense of the word – and their quest eventually leads to their demise, in stead of revival. The magic flight they take is a literal magic flight, repairing their spacecraft from things found from the environment of the planet. And the Return Threshold would represent their supposed return to this parallel universe, however the twist ending occurs when they discover they have entered the reality in which they are dead. Rod Serling truly was a master of science fiction, but I still find it extremely interesting that even a hit U.S. T.V. series can be similar to that of my pal Odysseus.

The supreme degradation of the moral filter

This might just be me, but whenever I get tired my moral filter goes down the hole. No, I do not mean that the moments before I enter sleepdom that I rip open a cliffnotes book and find the cow's milk in Tess symbolizes abandonment. I am talking about a physical dreariness that allows humans to become more "real". Say for example, after a great night's rest, you come down stairs and your child is watching TV when they are suppossed to be doing homework. You are more likely to simply scold them, and just turn off the TV. However, reverse the setting to nightime, when you're exhausted from the day, you're more likely to curse at them and perhaps throw a chair (maybe they only do that on Jerry Springer). But, is the happy well rested side more real than the angry, annoyed, and tired side? Or vice versa?
Perhaps after supreme degradation from the day's work that you just turn off your moral filter. That, not to be offensive, you're more crude just because you don't really care. Isn't that the same thing as showing your "true colors?" I'm not exactly sure myself, but I've certaintly said regretful things when my moral filter has been shut down.
The end. Feel free to comment what your own personal belief is on the issue of a moral filter.
P.s. - I know from personal experience, although not truly a moral issue, my vocabulary goes from "splendiforous" to "great" to "awesome" to (positive sounding grunt) as the day goes on. Its interesting to watch the effect of dreariness on people.

Heeeeeelter Skeeeeelter

Okay, so right now I'm reading (for pleasure) Helter Skelter, the true account of the Manson murders. Essentially, Manson was able to interpret the lyrics of Helter Skelter so that he was Jesus, the Beatles were descendants of God, and a huge race riot was going to occur. Thus, a new world order would come about, leaving the whites dominant. According to former "family" members, Manson told the group around 1968, "Are you hep to what the Beatles are saying? Helter Skelter is coming down. The Beatles are telling it like it is," (Helter Skelter). Which is so silly, because anyone who's watched Doctor Oz on Oprah would know skin tone is extremely minute in relation to your DNA. And I'm also a huge Beatles fan, although not incredibly insane like Manson, so I wanted to really examine the lyrics of Helter Skelter.

When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again
Yeah, yeah, yeah Do you don't you want me to love you
I'm coming down fast but I'm miles above you
Tell me tell me come on tell me the answer
and you may be a lover but you ain't no dancer

Okay, so this part to me strikes me as a drug trip. "Miles above you" seems to be a nod at a high, and with this vivid imagery of coming down a slide, I bet its something along the lines of an acid trip. The shallow examination of this part leads me to believe that perhaps the girl won't practice drugs with them. But, of course, there has to be more. Helter Skelter is apparently a twisty slide in England, thus the reference of "when I get to the top of the slide." However, I've also heard that the song could also be referencing the fall of the roman empire. Which, we all know from AP World, is because of those darned barbarians.
-Carson

Should I stay or should I go?

Most of you probably have a Facebook, and if not you are soooo 2003. However, if you DO own a facebook then you may be aware of an "application" called Friend Cicle. What this facebook application does is illustrate the various networks and friends you have, and how diverse your friend base is. And if you take a look at mine, you will see that I have a vast array of friends from all over Georgia. From transitioning from public to private, from middle to high school, my contacts are all over the place. Which leads me to my point: isn't it strange how those who you used to be extraordinarily close to come and go so fast?
It's so strange to me how relationships are nearly recyclable. I mean, for your extremely close friends this doesn't typically apply, but I've certaintly had my fair share of friends go astray. This wasn't supposed to be a long, engaging rant on my past, or anything like that. I just find it strange. Perhaps it's just me?
-Carson